I’m loving the diversity in this batch of films: two dramas, one comedy, one animated, and one classic. Not to mention, three out of five star non-white characters. I hope this is a reflection of changes in the film industry, but for now, please consider these superb stories. Enjoy numbers 5 through 1!
5. The Big Sick
I watched The Big Sick on the flight back from London to Boston. Having recently had a conversation about how there are no romantic comedies being made, it was a relief to see this unconventional love story. Although the romantic relationship is important, the film gives equal weight to familial relationships. Both sets of parents are hilariously cast, but I especially loved Kumail’s conversations with his brother. It was refreshing to see an honest story about people reconciling different cultures in modern America.
First and foremost, Moana is visually stunning, but that wouldn’t mean much if the story didn’t have heart. Thankfully this story of an adventurous girl trying to save her island has that as well. I love the playful animation of Maui and his tattoos with Dwayne Johnson’s voice providing the perfect cocky attitude. The songs are spine-tingling, particularly “How Far I’ll Go.” And if you’re in search of adorableness, look no further than baby Moana in the opening sequence.
3. Manchester by the Sea
Like so many things this year, Manchester by the Sea is tainted by the flood of accusations about sexual misconduct in Hollywood. However, I decided to include it because this is not Casey Affleck’s film. It was written and directed by Kenneth Lonergan, and the lead role was originally intended for another actor. It’s an effective story about how people in grief struggle to connect, and the cold beauty of the New England seaside reflects the isolation of the characters.
Laura (1944) is a quick, perfect example of film noir. Dana Andrews plays Detective McPherson, investigating the murder of the much-admired Laura. His obsession with her grows as he pieces together the details of her life. With only a handful of characters and sets, Laura creates drama simply through the strength of its storytelling. The snappy dialogue and moody score are exactly what you want from noir, and Dana Andrews is the ideal of a dry-humored detective.
Believe the hype, movie fans. Moonlight is an incomparable exploration of what it means to be a black man in America. The film is divided into three parts, each a vignette of the main character’s childhood, adolescence, and manhood, respectively. Superb performances from all three actors create seamless transitions and a rich understanding of the character. The cinematography is otherworldly with motifs like the colored light seen above. Two films in this post made me cry, but Moonlight is the one that make me think deeply and feel a connection to a world completely different from my own.
Stay tuned for the grand finale: my top 10 books of 2017!